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Auto-Tune 5 (or autotune) is an audio processor introduced in 1997 by and registered trademark of Antares Audio Technologies, which uses a proprietary device to measure and alter pitch in vocal and instrumental music recording and performances. It was originally intended to disguise or correct off-key inaccuracies, allowing vocal tracks to be perfectly tuned despite originally being slightly off-pitch.

Since its inception, producers began to use Auto-Tune as an effects unit, to deliberately distort vocals. By 2018, music critic Simon Reynolds observed that Auto-Tune had “revolutionized popular music”, calling its use for effects “the fad that just wouldn’t fade. Its use is now more entrenched than ever.”

Auto-Tune was launched in September 1997 by Andy Hildebrand, a Ph.D. High school dreams free download game. research engineer specialized in stochastic estimation theory and digital signal processing. His method for detecting pitch involved the use of autocorrelation and proved to be superior to earlier attempts based on feature extraction that had problems processing certain aspects of the human voice such as diphthongs, leading to sound artifacts.

Music industry engineers had previously considered the use of autocorrelation impractical because of the extremely large computational effort required, but Hildebrand found a “simplification [that] changed a million multiply adds into just four. It was a trick — a mathematical trick.”

Download Auto-Tune Pro for Windows PC from FileHorse. 100% Safe and Secure Free Download (32-bit/64-bit) Latest Version 2020. If you’re looking for Autotune Vst or the way to download Antares Autotune free then you came to the right place! A UA exclusive, the Antares Antares Auto-Tune 8.1.8 Realtime Advanced plug-in improves the previous UAD version with powerful workflow and sonic enhancements. An Iconic Effect Introduced in 1997, Auto-Tune is one of a small handful of effects that’s changed the face of popular music.

Over several months in early 1996, he implemented the algorithm on a custom Macintosh computer, and presented the result at the NAMM Show later that year, where “it was instantly a massive hit.”

Hildebrand had come up with the idea for a vocal pitch correction technology on the suggestion of a colleague’s wife, who had joked that she could benefit from a device to help her sing in tune. Originally, Auto-Tune was designed to discreetly correct imprecise intonations, in order to make music more expressive, with the original patent asserting that “When voices or instruments are out of tune, the emotional qualities of the performance are lost.”

According to Chris Lee of the Los Angeles Times, Cher’s 1998 song “Believe” is “widely credited with injecting Auto-Tune’s mechanical modulations into pop consciousness”. /abbyy-finereader-11-crack.html. Cher’s producers used the device to “exaggerate the artificiality of abrupt pitch correction”, contrary to its original purpose.

While working with Cher on the song “Believe” in 1998, producers Mark Taylor and Brian Rawling discovered that if they set Auto-Tune on its most aggressive setting, so that it corrected the pitch at the exact moment it received the signal, the result was an unsettlingly robotic tone.

— Greg Milner (2009)
In an early interview, the producers of “Believe” claimed they had used a DigiTech Talker FX pedal, in what Sound on Sound’s editors felt was an attempt to preserve a trade secret. After the success of “Believe” the technique was initially referred to as the “Cher Effect”. In the year 2000, the single “Naive Song” performed by Mirwais Ahmadzai from his album Production was the first ever track using Auto-Tune on the complete vocals.

The use of Auto-Tune as a vocal effect was bolstered in the late 2000s by hip hop/R&B recording artist T-Pain who elaborated on the effect and made active use of Auto-Tune in his songs. He cites new jack swing producer Teddy Riley and funk artist Roger Troutman’s use of the Talk Box as inspirations for his own use of Auto-Tune.

T-Pain became so associated with Auto-Tune that he had an iPhone App named after him that simulated the effect, called “I Am T-Pain. Eventually dubbed the “T-Pain effect”, the use of Auto-Tune became a popular fixture of late 2000s music, where it was notably used in other hip hop/R&B artists’ works, including Snoop Dogg’s single “Sexual Eruption”, Lil Wayne’s “Lollipop”, and Kanye West’s album 808s & Heartbreak. In 2009, riding on the wave of Auto-Tune’s popularity, The Black Eyed Peas’ number-one hit, “Boom Boom Pow”, made heavy use of Auto-Tune on all the group’s vocals to create a futuristic sound.

Radiohead used Auto-Tune on their 2001 album Amnesiac to create a “nasal, depersonalised sound” and to process speech into melody. According to singer Thom Yorke, the software “desperately tries to search for the music in your speech, and produces notes at random. If you’ve assigned it a key, you’ve got music.”

The use of Auto-Tune in hip hop gained a resurgence in the mid-2010s, especially in trap music. Hip hop artists like Future, Migos, Travis Scott, and Lil Uzi Vert use Auto-Tune to create a signature sound.

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The effect has also become popular in raï music and other genres from Northern Africa. According to the Boston Herald, country stars Faith Hill, Shania Twain, and Tim McGraw use Auto-Tune in performance, calling it a safety net that guarantees a good performance. However, other country music singers, such as Allison Moorer, Garth Brooks, Big & Rich, Trisha Yearwood, Vince Gill and Martina McBride, have refused to use Auto-Tune.

The latest[when?] version of Auto-Tune is Auto-Tune Artist, which is optimized for low latency performance. The most popular version of Auto-Tune is Auto-Tune Pro,[citation needed] the third newest release.

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The US TV comedy series Saturday Night Live parodied Auto-Tune using the fictional white rapper Blizzard Man, who sang in a sketch: “Robot voice, robot voice! All the kids love the robot voice!”

Satirist “Weird Al” Yankovic poked fun at the overuse of Auto-Tune, while commenting that it seemed here to stay, in a YouTube video commented on by various publications such as Wired.

Starting in 2009, the use of Auto-Tune to create melodies from the audio in video newscasts was popularized by Brooklyn musician Michael Gregory, and later by the band The Gregory Brothers in their series Songify the News. The Gregory Brothers digitally manipulated recorded voices of politicians, news anchors, and political pundits to conform to a melody, making the figures appear to sing. The group achieved mainstream success with their “Bed Intruder Song” video, which became the most-watched YouTube video of 2010.

In 2014, during Season 18 of the animated show South Park, the character Randy Marsh uses Auto-Tune software to allow himself to impersonate Lorde. In episode 3, “The Cissy”, Randy shows his son Stan how he does it on his computer.

AutoTune 5 Free Download:

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Legendary for its vocal enhancing and creative applications, the Antares Antares Auto-Tune 8.1.8 effect revolutionized vocal production. From subtly tweaking a singer’s intonation to transforming a vocal into varying degrees of robot-speak, Antares Auto-Tune 8.1.8 is a must-have tool for the modern music producer’s toolkit. A UA exclusive, the Antares Antares Auto-Tune 8.1.8 Realtime Advanced plug-in improves the previous UAD version with powerful workflow and sonic enhancements.

An Iconic Effect

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Introduced in 1997, Auto-Tune is one of a small handful of effects that’s changed the face of popular music. By continuously detecting the pitch of a periodic input signal — typically a solo voice or instrument — and instantly, seamlessly, changing it to a desired pitch, producers could quickly fix problematic performances, embellish vocal hooks, and create new robotic voices that have come to define pop, hip-hop, and dance tracks for two decades.

Realtime Pitch Correction with MIDI Control

Thanks to its ultra-low latency — and its ability to run on the built-in DSP found in UA audio interfaces like Apollo and Arrow — Auto-Tune Realtime Advanced allows instant tracking in the studio or on stage, giving you realtime pitch-correction that’s easy to use. Simply place Auto-Tune Realtime Advance in the UA Console app, select the song’s key, and you’re on your way to crafting perfectly tuned vocal tracks. Plus, you can control all key performance parameters from any MIDI controller or pre-recorded MIDI track.

Classic Mode

Over the years, Auto-Tune’s algorithms have evolved, yielding subtle changes to the effect’s sound. Back by popular demand, Auto-Tune Realtime Advanced has a new “Classic Mode” that gives you the popular “Auto-Tune 5” algorithm for the hard, glitchy vocal sonics used by Cher and Kanye West on some of their biggest hits.

Humanize Yourself

On the other end of the spectrum, Auto-Tune Realtime Advanced also lets you subtly correct the pitch of vocals and other solo instruments without unnatural distortion or artifacts. With features like Humanize, Flex-Tune, and Natural vibrato control, you can craft the perfect amount of pitch correction while retaining a performer’s expressive, unique intonation and inflections.

Improved Interface

The Antares Auto-Tune Realtime Advanced plug-in features a redesigned control panel for a faster, more efficient workflow. Basic view gets you up and running quickly, with only the most important controls available, while Advance view lets you fine tune with powerful scale editing, vibrato, and MIDI features.

But as well as the tone adjustment, Antares Auto-Tune 8.1.8 has become an essential recording tool due to the rest of its features:

• Fix and manipulate time. Apply even the smallest time adjustments to the voice and tempo of the instruments so that the songs are perfect.
• Evo Voice Processing Technology, which is exclusive to Antares, that allows you to process any small voice detail.
• Reception of the target tone by means of MIDI.
• Show on the screen both the original sound as well as the modified one to be able to observe the differences.
• Multiple keyboard shortcuts to speed up the processes.
• And much more…
• Therefore, if you’re interested in setting up a recording studio, you shouldn’t miss out on the chance to download and test Antares Auto-Tune 8.1.8.

Screenshots from Antares Auto-Tune 8.1.8

How to install:

• First of all, Download the Antares Auto-Tune 8.1.8 (Tutorial on How to Download)
• Locate and double-click the .exe file. (It will usually be in your Downloads folder.)
• A dialog box will appear. Follow the instructions to install the software.
• Activate software using serial number provided in .txt file
• The software will be installed. You can now open the application from the your Desktop

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A:There is Antares Auto-Tune 8.1.8 which you need to extract with Winrar.

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